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Known to all in the profession as Kazu, he is a silicone pioneer who in the mid-2000s solved a key technical problem with the material: how to apply paint to it.

#Chimpanzee face prosthetic full

Hiro coming out of retirement to help Oldman go full Winston seems to have upped the ante. But Lundström believes there is a prosthetics arms race taking place, driven by ever-more-spectacular applications of the craft. Silicone – more durable than latex prosthetics – has been in use for about 20 years now. Photograph: Tibrina Hobson/Getty Images for SBIFF Makeup artist Göran Lundstrom, who transformed Colin Farrell into the Penguin and Jared Leto into Paolo Gucci. And it pays off: unlike a number of recent performances that have been wildly out of kilter with the surrounding movie, Leto in his get-up has a kind of lightly accentuated camp that fits perfectly, perfumed with that outrageous Florentine accent. Lundström says what they achieved is not a Paolo Gucci facsimile, but rather a Leto/Gucci hybrid that conveys what needs to be dramatically conveyed: the dynastic fashionista buffoon. It can create a distance between the audience and the actor Göran Lundström There’s always that fear of covering up too much. In particular, Leto drove Lundström to transform his nose. It can feel masky and a distance between the audience and the actor.” One concern is prosthetics becoming so physically constraining that actors can no longer act. Lundström was almost scared by the totality of Leto’s request: “There’s always that fear of covering up too much.

#Chimpanzee face prosthetic trial

“It’s really fascinating, because that’s what you want as a makeup artist – you want the actor to identify with their new look.”Īfter Leto’s approach, Lundström had just three weeks, working seven days a week, to craft the pieces required to change his face into Gucci’s getting the right level of makeup was a trial and error process.

“Once the makeup starts looking like a face, their voice, their whole behavioural pattern changes,” says Lundström. He says he saw Leto and Farrell change visibly in the makeup chair, as the silicone pieces were applied. Actors are increasingly realising how today’s prosthetics technology can be a gateway to authenticity – and they are often the ones driving these transformations, according to Lundström. Like Tammy Faye’s slap, the externals express internal truths: who that person is. What we are doing is part of the storytelling.” The point is how the makeup represents this character or story. “I hate to see that article: ‘This actor is unrecognisable.’ Because it’s so easy to make someone unrecognisable. Photograph: Entertainment Pictures/Alamyīut Kazu Hiro, the prosthetics specialist responsible for the Cooper and Oldman makeovers, believes focusing simply on the act of transformation is a mistake. Swaddling his gorgeousness … Colin Farrell as Oswald Cobblepot/the Penguin in The Batman (2022). The new thing is that people are impressed by the fact you can’t recognise them.” Makeup artist Göran Lundström was surprised when Leto approached him and asked to be unrecognisable as Paolo Gucci: “I’d never had anyone ask for this before – usually, you always wanted to see the actor in there. Was it so hard to find actual doughy middle-aged actors to play doughy middle-aged characters? There is something undoubtedly showy about stars’ desire for self-effacement – you might call it the Mrs Doubtfire paradox. And Gary Oldman won the best actor Oscar, despite his mouth being the only recognisable Oldman feature, complete with cigar, for his Winston Churchill incarnation in 2017’s Darkest Hour.Īmid the inevitable my-unbelievable-transformation articles, there has been a certain amount of scepticism about this excess of prosthetics. Modern-day Dorian Gray Jared Leto finally got acquainted with middle age by transforming into the paunchy, balding Paolo Gucci in Ridley Scott’s House of Gucci. Photograph: Courtesy of A24Ĭolin Farrell similarly swaddled his gorgeousness to play the Penguin in The Batman.